Thursday, 27 September 2012

limericks from Diana Moore and others


There once was a man who was quirky
In topics from zebra to turkey
He sketched fish and ants
And curious plants
And declared: "This is very nice worky."
Diana Moore



Happy Birthday Edward Lear
Your limericks we hold so dear
Five short lines
And two simple rhymes
Are enough to elicit a cheer.



Gerard Robinson

Profile: Sarianne Durie



Sarianne is an artist who has made stained glass windows almost all her life;  she changed direction five years ago and started writing poetry again, which she had stopped about thirty years before when she was too busy making windows.   http://www.captured-light.co.uk/



The Sphinx

We Sphinxes all creep by the banks of the Nile
you may see us peeping from faience and tile,
while guarding the gates of the most ancient tombs
as tourists wander and the sand turkey booms.

We sometimes turn purple and hide in the sky,
it wouldn’t fool you, but the birds that fly high
right up in the ether to dance in the sun
come floating down to us and sing us their song, then

in red satin cape, with buttons agape,
we dive to the depths of the Nile
and there we do meet with fishes all sweet
and a mermaid or two from Argyll.

All day we sit haughty, with head in the air,
we do nothing naughty, not even our hair;
the tourists stand round us and take photographs –
then all run away when one of us laughs.

One day I was caught and stolen away      
I was wanted in Oxford in these serried ranks
alongside dead sculptures just standing all day –
but I tell you it hasn’t stopped me and my pranks:       

now in the museum when no one is here
and night time is come, I prowl without fear;
I somersault neatly in style down the aisle
hoping I won’t go and land in a pile.

I did that one night and lost part of my nose
and then on another lost some of my toes,
and being more lion and only part girl
my looks touch my pride;  I’m rather a churl.

My great aunt, Jasmina, the Sphinx of Old Thebes
riddled her Four, Two and Three to all passers by;
a Greek heard the answer as he walked by the reeds –
and when Oedipus told her she died with a sigh.

The Djinn of the desert who conjured the Sphinx
got into such trouble when he put on the jinx
and invented ourselves and, grand though we are,
he was caught by Aladdin and put in a jar.

We’re contrary beings, so misunderstood –
we stay holding our breath, only move when we should –
but way beyond time we sing of our plight,
watch us swing through the sky any bright starry night.


Sarianne Durie                                           August 2012

Wednesday, 26 September 2012

More about Jalina and her poem-picture making

http://www.jalina.co.uk/about-jalina.php

Some cutting edge stuff from Jalina's website.

I have seen very many kinds of poem-picture on

http://www.flickr.com/groups/poetryandpicturesinternational/

a lot of it mediocre at best

and mostly good stuff on

http://www.flickr.com/groups/poetryandpicturesengland/pool/

But Jalina's work is different and original.

Go for the top link

Profile: Sean Quinn

Sean Quinn, born 1965, South of Manchester.

Studied textile design as a mature student, attending Loughborough College of Art, he graduated in 1997 . For his final year, alongside a collection of hand woven silks, he submitted a dissertation detailing the significance of the Eternal Feminine in relationship to the poetry of Aleksandr Blok, a personal paper drawing upon a wider interest in Russian Symbolist Poetry. Sean combines a passion for costume with an awareness of the physical presence of dress. His work explores the connection between creativity and wishfulfilment, both in language and in photography. He is a prolific writer of letters, dedicated to the art of correspondence, and it is through these engaging connections that his voice as a writer has emerged. Sean is currently working in collaboration with Jalina Mhyana, both as an editor and as co-contributor to her epistolary novel Calliope and Swansblossm. (www.jalina.co.uk)

Poem for performance: John, Count of Nassau, with his Family, 1634 

Artist: Anthony van Dyck 

Location: Room 44 

Cloud Mantle 


I envy you.
Not your wealth, your youth, your lineage.
Only your threads.

Royal blood, spooled as blue ribbon,
Tips a feather vein, astonishes,
Darts through to where your bodice announces a sleeve.

You observed intricate knotting.
Witnessed the gathering tensions,
Shirring balloon enclosures,
Heavy pendulum cuffs.

Your cloud mantle is woven from base metal.
Poison informs the palette, 
Pigments bleed, an alchemy of paint.
Raw canvas brushed towards silk.

A Lacewing halo embraces your shoulder,
Unfurling to reveal a string of clear pearls
Water droplets at the nape of your neck, minute crystal orbs.

I marvel at the non-weight of globe rose,
Tricked in your hand.
Wet stem lick across your palm.
Fortune teller trace along your lifeline.
It tickles, spins with ease, rotates an open face to your Fathers golden fleece, his ram sheared distinction.
Bowed at the knee, with a flourish.

He points, heralds a procession of touch.
Mothers double echo, holds a parallel caution,
Allows your brother a nimble scale, across her knee.
A roundelay of hands.
Where a lap dog gazes, curious.
And your Brothers braggard swagger, dense plot of vermillion, fails to outshine you, could never compete.

Pearls roll from your wrist
Your left hand draws a furrow
Down your clotted skirt,
Nervous fingers trying to occasion a purchase;
Where there is only slip,
Lustre glides,
Raises a crescent,
But the gilt hem drags lower
Holds a draught upon the floor.

You stand proud in wonder, hardly knowing the world.
Buttoned and corded into a life of ceremony.
Balancing long hours of portraiture,
The weight of the gown insistant,
Tapes and ribbons discomfort, count the hours slow passage.

Your thoughts look ahead,
Anticpating the rush of childhood
Where ribbons pull free,
Playful escape, quick to erase the mask of appearance.

And there is a doll somewhere, 
Comforts companion, seized tight;
Whispers poured into wood scratch ears.

Edward Lear Exhibition; Guardian write up

http://www.guardian.co.uk/culture/2012/sep/19/edward-lear-nonsense-illustrator?fb=native&CMP=FBCNETTXT9038

Tuesday, 25 September 2012

Profile: David Olsen

David Olsen's third poetry chapbook, Sailing to Atlantis, is forthcoming from Finishing Line Press in 2013. Since early 2011 he has placed poems in Envoi, Acumen, Orbis, Assent, The Interpreter’s House, Scintilla, SAW Poetry, Bloodroot, Babel Anthology, Earthborne, and competition anthologies from Cinnamon Press and Templar Poetry. Reading for October 6th "Please Do Not Touch" from the Barbara Hepworth Sculpture

Nonsense Drolleries Edward Lear p11